内容摘要： 旋律存在于文化内部，以不同的形态外显。少数民族旋律以一种特定的“符号”存在于族群的历史记忆中，成为历史文化中最稳定的因子；表现在人们的生活场景中，是民族惯习和生产实践的“原样复制”。旋律既可以通过仪式记录文化，成为宗教文化的重要表达方式，也可以通过民俗积淀审美意识，被民族文化所传承。理解旋律与文化的关系必须把旋律置于与文化“交汇”的“源点”，才能深刻感知文化之旋律，旋律之文化。

Abstract: Melody with different external forms exists inside culture. Chinese minorities use melody as a special ＂symbol＂, which lives in the historical memory of these ethnic groups and becomes the most stable element in their history and culture. It is also the hi-fi representation of their habitus and production practices. Melody can record culture through rituals, especially religious culture, and can also be inherited by the ethnic culture through deep-rooted aesthetic consciousness. Thus, it is necessary to put melody on the ＂initial point＂ of cultural connections to understand the relationship between melody and culture as well as the melody of culture and the culture of melody.

关键词：民族旋律;民族文化;内涵;关联性;

作者：崔鸿飞(中央民族大学教育学院)

来源： 《云南民族大学学报：哲学社会科学版》 2013年 第2期

中图分类号：J607